Meet the Pickle

Welcome to the third installment of our Meet the Studio Series. This is our "bench". It looks like utter chaos but believe it or not-, I know where everything is (sort of). Right behind the soldering block, you can see our "pickle pot". We use a very high tech and expensive piece of equipment to clean our metal post-fire. It's called a crock pot. This particular crock pot was purchased at a thrift store about 7 years ago for about $5. It's had a hard life boiling acid (well technically, you aren't supposed to boil the acid but sometimes I get distracted...) Anyway, it's not pretty but our little pickle pot has done a good job for us all these years and we love it.

When we put a flame to metal it causes a chemical reaction called oxidation. Oxidation causes a skin on the metal that we refer to as "fire scale".

By soaking the metal in heated acid, we remove a good bit of the fire scale. We need the fire scale gone for two reasons- we need the metal clean in order to solder again and we also need it clean so that we can polish it and get the lovely finish that one expects from a lovely piece of jewelry.

After the metal soaks in the pickle for 15 minutes or so, we neutralize it by dipping it in a baking soda solution.

The very first teacher I had for metal smithing never told me about acid neutralization, so for the first year of working with metal I kept getting tiny holes in my pants from dripping acid on them! That's one of the interesting things about this craft, there are a million different ways to do one thing and the technique you are taught sometimes makes the difference between easy or difficult mastery of said technique.

Meet the studio chapter 2

Metal Texture Stamps
We all know that I rarely make a piece that doesn't have a word (or 5) on it but I am also a huge fan of texture. Last time I introduced you to the mill and the texture in relief that it creates. Today lets talk about inverted texture. All hail the stamp!

This is only a small portion of my wonderful stamp collection. I collect different letter fonts, sizes, numbers, designs, textures- whatever! It doesn't matter, if it's a cool stamp, I want it.

This dot texture (above) is one of my favorites, because it just adds a little unexpected interest to any piece.

The above shot has good examples of words and textures that I add to almost every piece.

A close up of a few of the design stamps. I use these less often... I think you have to be careful with some of the design stamps since they will push a piece into predictability if you're not careful.